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But the famous Italian director was indeed looking for a blonde girl for his first ever commercial. It was for Banca di Roma, and he wanted to audition the Italian-Canadian actress who, at that time, was living in Rome. Photo: Ed Krieger. Tell me more about this encounter. When we met for the audition, he opened up to me about his life.

I was there to talk about my work and myself, and it became about him! But not in the way one would think, considering he was so famous, but in a very humble and self-deprecating way. He was at a point in his life where he felt like work was about to slow down. I was sitting there, wondering why he was telling me all those personal things.

Perché scrivere by Milena Agus

How did that meeting become the motivation to write The Italian In Me? I told the story of that meeting over and over again from the day it happened! Your stories are so fascinating and this Federico Fellini story is amazing. There is a great punch line in the show that he said during our meeting! Dina's encounter with Federico Fellini, in fact, became the motivation to write her first one-woman show, The Italian in Me.

How was the process of writing it? It was a collection of all of my experiences. I have been playing this character and it has been growing for 10 years! And I continue to work on it. How did it change over these years? For example, I talk about Silvio Berlusconi, in the context of an episode that happened to me. What was the best compliment you got? My favorite compliment was from Mel Brooks. He came to see my show one year ago. She was 91 years old when she came to see the show, and with emotions and tears in her eyes, she grabbed my hands and went on to compliment me about my work as an actress and the show.

I was so overwhelmed by her outpouring of emotions and compliments.

Are Italians bad at speaking Italian? [Learn Italian - with subs]

Especially because they came from a woman who had been a star in Broadway, on the silver screen and on TV. Do you feel very Italian in your daily life? I am very Italian. I grew up with very Italian parents and I started speaking English only when I was 6, when I went to school. Everything was Italian, my way of thinking, the superstitions, and the old fashioned, yet loving parents. When I finally got to Italy everything made sense. The one thing about the immigrant experience, about being a child of immigrants, is that you go to this new country and it suddenly becomes your world.

You see that everything you do and are comes from those people, some of whom you never even met.

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My story reflects who I am and these people are all a part of it. Give us some details about the show. I take people to Rome without having them get on an airplane. I love doing my show because I get to go to Italy, too. When I rehearse by myself in the dark, in the theater, I remember, reflect, and get to re-live it all over again!

Lo spettacolo si chiude tornando al punto di partenza; parla di una giovane italo-canadese cresciuta in Canada con la nonna, ma che vuole andare a lavorare in Italia, nel mondo del cinema.

Ci riesce e poi torna a casa. Ma non nel modo in cui si potrebbe pensare, considerando quanto era famoso, ma in maniera molto umile e autoironica. Era in un punto della sua vita in cui sentiva che il lavoro stava per rallentare. La battuta finale dello spettacolo me la disse lui durante il nostro incontro! Non posso rivelare troppo. Bisogna venire a vedere lo spettacolo per ascoltarla, detta con la voce di Fellini. E sono cresciuta con quello, infatti mi ha ricordato molto mio nonno.

Sto interpretando questo personaggio, che continua a crescere, da ben 10 anni! E continuo a lavorarci sopra. In passato a Los Angeles nessuno sapeva chi fosse, quindi dovevo spiegarlo, ora il pubblico lo sa e ride! Che tipo di pubblico ha di solito?

Indirect Object Pronouns in Italian

Durante lo spettacolo traduco alcune parole Italiane divertenti. Quello di Mel Brooks. Sua moglie, ora defunta, era Anne Bancroft, una brillante attrice italo-americana che tanto ammiravo. Ero travolta dal suo affetto e dai suoi complimenti, soprattutto considerando che era stata una star di Broadway, di film e serie tv di successo. Si sente molto italiana nella sua vita quotidiana?

Sono molto italiana. Sono cresciuta con genitori molto italiani e ho iniziato a parlare inglese solo a 6 anni quando ho iniziato ad andare a scuola. Photo: Ed Krieger.

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Tell me more about this encounter. When we met for the audition, he opened up to me about his life. I was there to talk about my work and myself, and it became about him! But not in the way one would think, considering he was so famous, but in a very humble and self-deprecating way. He was at a point in his life where he felt like work was about to slow down.

I was sitting there, wondering why he was telling me all those personal things. How did that meeting become the motivation to write The Italian In Me? I told the story of that meeting over and over again from the day it happened! Your stories are so fascinating and this Federico Fellini story is amazing.

There is a great punch line in the show that he said during our meeting! Dina's encounter with Federico Fellini, in fact, became the motivation to write her first one-woman show, The Italian in Me. How was the process of writing it?


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It was a collection of all of my experiences. I have been playing this character and it has been growing for 10 years! And I continue to work on it. How did it change over these years? For example, I talk about Silvio Berlusconi, in the context of an episode that happened to me.

What was the best compliment you got? My favorite compliment was from Mel Brooks. He came to see my show one year ago.